The Pantograph Punch publishes urgent and vital cultural commentary by the most exciting new voices in Aotearoa. Everyone knows sucked. Everyone knows Covid saw the best and worst of humanity. It exposed the vast chasm between the privileged and the poor; the systematically marginalised and those who profit from this. That Black People were protesting for the very matter of their livelihood. But the art was beautiful.
Kaupapa on the Couch: taking back mana wāhine (WATCH)
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Are Kiwi blokes really the world's worst lovers?
In his late thirties, living in a predominantly Pakeha populated, small town in Southland, Joe has worked hard his whole life, made a decent way for himself and his family, which forms his philosophy and worldview towards living — work hard and reap the rewards. Well, well, well, I almost felt sorry for the guy because he had no idea that he was a lightweight entering into a heavyweight fight! I live and breathe this stuff. I read, write and think about issues of equality. But most importantly I know these communities and understand these issues from a lived experience.
Become a supporter. Login Subscribe About us. You know what 'whakapapa' and 'Waitangi Day' are about, will have an inkling of what 'Maori day off' or 'Maori Car' refer to, even in these PC times, but have you heard of a 'Maori Cannon' or a 'Ngati-Blow'? These words all chatter together as part of John Reynolds ' installation of 1, odd small canvases on the walls of Peter McLeavey Gallery in Cuba Street. Image: Cloud ,